Contact
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Mail :
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Plymouth City Museum and Art Gallery Drake Circus Plymouth PL4 8AJ |
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Phone :
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01752 304774 |
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Email :
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museum@plymouth.gov.uk |
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Fax :
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01752 304775 |
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Links
- Department for Culture, Media and Sport
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Atrium Gallery
Now open
Plymouth City Museum and Art Gallery has a large and fascinating ceramics collection representing many eras and design styles from the ground-breaking work of William Cookworthy and Plymouth Porcelain, to the Japanese inspired 20th Century studio pottery of Bernard Leach. The collection is exhibited in the Atrium Gallery on our first floor balcony. Displays are themed to highlight different aspects of the collection and rotate regularly to enable as many artefacts to be seen as possible. You can currently see:
- Church Plate Display
- Plymouth Porcelain, 1768 to 1770
- Plymouth Porcelain, Design and Experimentation, 1768 to 1770
- Bristol Porcelain
- Studio Pottery
- Containers
- The Martin Brothers
- Chinoiserie
- The Core
Related events
Our 'Art Bites' tours throughout 2010 will focus on our decorative art collection.
Want to see more images of the gallery? Visit our flickr site now!
Church Plate Display
In this case, you can explore a bit more about Plymouth’s religious history through a number of silver items from the 1500s through to the 1930s - all of which are on loan to the Museum from local churches such as St Andrew’s and Holbeton Parish church. The case explores the role of the church as patrons of the silversmith trade and how changing religious ideals have often had an effect on changing designs. The case features a 16th Century chalice made by John Jones of Exeter, after the Reformation, to replace an earlier Medieval plate which had been destroyed. Also on show is a range of silver made by local Plymouth silversmiths Samuel Blatchford, Pentecost Symons and Peter Rowe.
Plymouth Porcelain, 1768 to 1770
Have you heard of Plymouth porcelain but are not sure why it is so special? This case explores how great William Cookworthy’s achievements were in founding the porcelain factory and how important it was for the South West. With a drawing of the factory’s kiln you can trace, step by step, how the porcelain was manufactured and also what problems the factory faced.
For further information on the history of Plymouth porcelain, we now have audio guides that you can download and use in the museum.

Plymouth Porcelain, Design and Experimentation, 1768 to 1770
This case looks more closely at the design styles and influences of Plymouth porcelain and shows off our fantastic collection. Have a look at the yellow ground butter dish - one of only two known examples of Plymouth porcelain in this colour - or the uniquely painted pair of pheasants. Animal models such as lions, cows and sheep produced at the factory are also on display.
If you'd like to know more about how some of our unique items were made, you can download an audio guide which accompanies these displays.

Bristol Porcelain
When the Plymouth porcelain factory moved to Bristol in 1770, the factory progressed into a new era. This display looks at technical and stylistic developments made to the porcelain at the Bristol factory under the direction of Richard Champion.
Studio Pottery
This case explores the legacy of Studio Pottery in the South West, looking at concepts of form and texture. It highlights the local heritage of craft and pottery, showcasing works by artists such as Bernard Forrester, Ewen Henderson and Mary Rogers.

Containers
This case relates to the Key Stage 3 Art and Design units and may be useful for teachers and students. Containers are practical everyday objects that we don’t often give much though to. Yet, most containers are designed specifically to suit a purpose. This case looks at a wide range of containers - from a 20th Century jewellery box to an 18th Century silver coffee pot, a German tankard to an English wine glass. There are even some mystery objects for you to guess! Information about the mystery objects on display can be downloaded from the documents table below.

The Martin Brothers
The Martin Brothers were a group of four brothers working together in Fulham and Southall, London in the Victorian period. They produced many strange but wonderful ceramics in salt glazed stoneware. This case looks at the influence of nature on the Martin Brothers by putting their work side by side with items from the Natural History and Human History collections.

Chinoiserie
Chinoiserie was a key design style of the 1700s and was very fashionable. But what exactly is Chinoiserie and how can you recognise it? This case points out key features of the Chinoiserie style to help identify it. It gives examples of how Chinoiserie was used in ceramics, furniture and textiles and presents some very fine pieces of porcelain and Delftware.

The Core
Our youth forum visited the museum’s decorative art stores to look at the collections and pick items that they found interesting. These items will be displayed next to their comments - transcripts of recorded discussions that took place about the items. The case is a real mix of items including a Chinese Buddha, a Slipware charger and a Hispano-Moresque vase.






