| Graphic Version | Home | Sitemap | Contact us | A-Z of Services | | | Change Contrast |
| Home | Sitemap | Contact us |
|
Mail :
|
Plymouth City Museum and Art Gallery Plymouth City Council Plymouth PL1 2AA |
|
Phone :
|
01752 304774 |
|
Email :
|
museum@plymouth.gov.uk |
|
Fax :
|
01752 304775 |



Plymouth City Museum and Art Gallery is still actively collecting in a number of areas. Here is a selection of some of our most recent acquisitions.
We have recently acquired some new pieces for our decorative art collection including an earthenware bottle and dish by Svend Bayer, a porcelain bowl by Tim Gee, a slipware jar by Clive Bowen and two 'Cockerel' dishes and a 'Birds on a Wire' cup and saucer by Marianne de Trey. We have also acquired a piece of fused glass with a silver stain by Glenn Carter and 'Intersecting Grids, 2012' by Dail Behennah - both of whom we have worked on commissions for us in the past. All these works can currently be seen on display in our foyer.
We have recently acquired this collection of more than 700 objects ranging from stamps to a double bed! The collection has come from the Elliott family of Saltash. The family previously ran a grocery shop in Fore Street. The building is now run as a Museum by the Tamar Protection Society. You can see a small selection of the artefacts now on display in our foyer.
This work has been kindly donated to our permanent collection by the artist to mark our centenary. The mixed media work was painted mainly in the open air (plein-air) at the upper reaches of the River Tamar during the spring.
In capturing the ‘warbler song’ in the title of the painting and on the canvas itself, Jackson is showing a link between the start of the Tamar’s journey and the birdsong in spring, a time of breeding and re-birth.
Find out more about this work by listening to our MP3!

This work has been newly acquired through the Art Fund Collect scheme and has been created by Naoki Takeyama - an influential young Japanese artist who combines the historic technique of enamelling with electric colours and forms.
Hakutai (which translates to a thousand years) is the result of some amazing craftsmanship - it has been hand folded and then fired up to 15 times. The circles on the piece have been hand cut from silver leaf and applied individually.
Find out more about this work by listening to our MP3!

We have acquired this with the assistance of the V+A/MLA Purchase Grant Fund and the Art Fund.
The painting is a group portrait of the leaders of the Protestant Reformation movement in Northern Europe in the 16th century - Johann Friederich, the Elector of Saxony at the centre with the Reformers surrounding him, most notably Martin Luther to his left.
The Reformation famously began when Martin Luther nailed his ninety five theses to the door of the Church of Wittenburg in 1517.
The original work is by Lucas Cranach the Elder, a leading artist in his time. He was one of the best known propagandists for the Protestant Reformation of this time and was appointed Court Painter to the Elector of Saxony in 1505.
The painting we have acquired is a copy made about 100 years later. It was commissioned by Edward Hyde, the first Lord Clarendon who was MP for Saltash and rose to the post of Lord Chancellor and became advisor to Charles I. A scholar and historian, he started to acquire historical portraits for his collection in the mid 1600s. This collection, of which The Reformers was part, became one of the most important collections of historical portraits in England.

The Museum was given Penwith Moor Landmarks, an oil painting by Clive Williams and Wrack Dance by Colin George, an acrylic work that takes its inspiration from the natural environment in early 2011.
Both Clive and Colin are longstanding members of the Plymouth Society of Artists, whose exhibitions are often displayed at the Museum. The artworks were donated in memory of our late and long time Keeper of Art, Maureen Attrill, who sadly passed away in February 2011.

This jug has been donated to the collection by potter Doug Fitch. Fitch is based at Hollyford Pottery near Exeter and specialises in Slipware on local clays – some of which is dug from the woods behind his pottery.
This jug demonstrates Fitch’s influence of well renowned contemporaries Clive Bowen and Svend Bayer as well as the enduring inspiration of Michael Cardew.
Members of staff visited Doug to try potting for themselves. Find out how they got on at our Flickr site.







